“So What” Embraces Angular Melodies and Infectious Rhythmic Grooves

Miles Davis’s “So What” stands as a monumental achievement in jazz history, an iconic piece that effortlessly blends angular melodies with infectious rhythmic grooves. Released in 1959 on the album Kind of Blue, it epitomizes the cool, modal jazz sound that Davis pioneered, forever changing the trajectory of the genre.

A Revolution in Harmony: The Modal Approach

Before diving into the sonic intricacies of “So What,” it’s crucial to understand the groundbreaking harmonic approach it employed. Traditional jazz relied heavily on chord progressions built around specific keys and chord changes. In contrast, Davis and his collaborators embraced modality – a concept where musical phrases are constructed around scales rather than fixed chords.

“So What” utilizes just two primary scales: D Dorian and E Phrygian. This simplification might seem counterintuitive, but it allows for an extraordinary level of improvisational freedom. Musicians aren’t confined to navigating predefined chord changes; instead, they explore the unique sonic colors and melodic possibilities within each scale.

The result is a mesmerizing sense of spaciousness and openness, a departure from the tightly structured harmonies of bebop and hard bop that preceded it.

Deconstructing the Structure: Form and Flow

“So What” follows a loose AABA form, but with a twist: each section is extended significantly, allowing for ample solo space. The piece begins with a haunting, modal melody played by Miles Davis on trumpet, setting the stage for what’s to come.

The melodic theme, simple yet captivating, revolves around a repeating five-note motif that becomes a leitmotif throughout the improvisation. John Coltrane enters next, weaving intricate lines against the backdrop of Cannonball Adderley’s soaring saxophone and Bill Evans’s understated piano comping. Paul Chambers’ bass provides a solid foundation, while Jimmy Cobb’s drums add subtle rhythmic textures.

Each musician takes turns exploring the two modal scales, crafting solos that are both spontaneous and deeply interconnected. There’s a remarkable sense of dialogue and interplay between the performers, as they build upon each other’s ideas and navigate the expansive sonic landscape with confidence and grace.

The Genius of Miles Davis: Leading the Charge

Miles Davis’s influence on “So What” extends far beyond his virtuosic trumpet playing. As a bandleader and musical visionary, he fostered an environment of creative freedom and encouraged his musicians to push boundaries. He recognized the potential of modality early on, seeing it as a pathway to fresh sonic possibilities.

Davis’s ability to assemble such a stellar lineup speaks volumes about his leadership and understanding of musical synergy. The individual talents of Coltrane, Adderley, Evans, Chambers, and Cobb blend seamlessly into a cohesive whole, creating a masterpiece that transcends individual contributions.

A Lasting Legacy: “So What”’s Enduring Impact

Released in 1959, Kind of Blue, featuring “So What” as its opening track, became the best-selling jazz album of all time. It not only introduced a new harmonic language to jazz but also profoundly influenced countless musicians across genres.

From rock and pop to electronic music, the spirit of “So What”—its embrace of space, improvisation, and modal exploration—continues to resonate with audiences today.

Delving Deeper: Musical Analysis

To truly appreciate the artistry of “So What,” let’s delve into some of its key musical characteristics:

Beyond the Notes: Cultural Impact and Significance

“So What” is more than just a captivating piece of music; it represents a pivotal moment in jazz history, a shift in aesthetic sensibilities that resonated far beyond the genre itself. It embodied a spirit of experimentation and innovation, paving the way for new avenues of musical expression.

The influence of “So What” can be heard in countless works by subsequent generations of musicians. From John Coltrane’s spiritual explorations to Herbie Hancock’s fusion experiments, the modal approach pioneered by Davis and his collaborators continues to inspire and shape the sound of modern music.